Conan Chadbourne
My work is motivated by a fascination with the occurrence of mathematical and scientific imagery in traditional art forms, and the frequently mystical or cosmological significance that can be attributed to such imagery. Mathematical themes both subtle and overt appear in a broad range of traditional art, from Medieval illuminated manuscripts to Buddhist mandalas, intricate tilings in Islamic architecture to restrained temple geometry paintings in Japan, complex patterns in African textiles to geometric ornament in archaic Greek ceramics. Often this imagery is deeply connected with how these cultures interpret and relate to the cosmos, in much the same way that modern scientific diagrams express a scientific worldview. I am especially interested in symmetry as a mechanism for finding order in the universe, from its intuitive appearance in ancient cosmological diagrams to its important role in modern theoretical physics, and my recent works explore various forms of symmetry.
This work is an exploration of the structure of the alternating group on five elements, and its particular presentation by two generators of orders 2 and 3. A stylized Cayley graph of this presentation of the group is shown over its dual graph. The regions in the dual image are colored according to the order of the element in the group. The image is constructed from multiple hand-drawn elements and natural textures which are scanned and digitally manipulated to form a composite image and subsequently output as an archival digital print.
This work is an exploration of the structure of the alternating group on five elements, and its particular presentation by two generators of orders 2 and 5. A stylized Cayley graph of this presentation of the group is shown over its dual graph. The regions in the dual image are colored according to the order of the element in the group. The image is constructed from multiple hand-drawn elements and natural textures which are scanned and digitally manipulated to form a composite image and subsequently output as an archival digital print.