John Hiigli

Jardin Galerie
164 West 83rd Street #1-R New York City, New York
I am a abstract geometric painter and co-founder/co-director of Le Jardin a l'Ouest (the French-American Pre-school). I am the founder/president of Jardin Galerie (children's art gallery). I attended the University of Indiana in the early sixties, the New York Studio School of Drawing, Painting and Sculpture in the middle sixties, Empire State College in the middle eighties and Bank Street Graduate School of Education in the late eighties. I wrote my Masters Thesis at Bank Street Graduate School of Education on John Dewey, Jean Piaget and Richard Buckminster Fuller. I have been painting with transparent oil paint for over thirty years. . I endeavor to create certain images of totality, images that are optical and energetic—not a “signal” or transmitter, or point of reception of “something else”-but objects, states of mind, visions that stand for what they are in and of themselves.
Chrome 175 POLYTRANSPARENCY A: Oblique View of Cuboctahedrons Inherent in the 16-Frequency Tetrahedron
24" X 24" digital print of 8’ X 8’ Oil Painting
Transparent Oil on Canvas
As a student of Synergetic Geometry I became interested in drawing and painting high frequency tetrahedrons and other polyhedrons. In order to draw these complex polyhedrons I worked very large using a six foot sliding architect ruler mounted on the wall. Later a friend, Stephen Weil drew a few of these using Mathematica. I had Stephen's Mathematica drawings blown up at a graphic arts studio and transferred them from paper to canvas stretched on a wall in my studio. The lowest-frequency tetrahedron to contain a cube octahedron is the four-frequency tetrahedron. The sixteen-frequency tetrahedron in Chrome 175 contains three distinct cuboctahedrons, with each consecutive iteration eight times the volume of the previous one, i.e. 20 tetrahedrons, 160 tetrahedrons, 1280 tetrahedrons. In addition many other polyhedrons are revealed. We might conclude that the series of high-frequency tetrahedrons manifests scale change, similar to the octave in music.
24" X 24" digital print of 60" X 60" digital print
Digital Print
I met Janos Saxon-Zsasz in Budapest at the International Symmetry Festival in 2003. Since then I have admired his work and collaborated with him whenever possible. In 2009 I decided to extend this collaboration in respect to the Saxon-Szasz 2000 work Poly-dimensional Space. In this computer animation Janos replaced the plane figure with a corresponding cube, to which he attached more cubes at the vertices in 1:3 proportion. Working together Stephen Weil and I produced two versions of Saxon's brilliant drawing, each with a different color system but the same size. I took the 'red version' to Hungary in 2010 and presented it to Janos Saxon-Szasz. He seemed pleased to see this Mathematica version of his original drawing and we exhibited it at Bridges10 in Pecs. The 'black and blue' version shown above contains one more iteration than the Saxon-Szasz original. This work is a virtual scale-change machine and can also be regarded as a 3-dimensional fractal; I like it very much!
24" X 27.5" Digital Print on Canvas of 64" X 56" Oil Painting
Transparent Oil on Canvas
This work models the Isotropic Vector Matrix invented by the American architect/inventor Richard Buckminster Fuller. Inter-diagonalizing vertices and mid-face points of the cube locates other structures which have a common edge length: cube-octahedron volume 20; duo-tetrahedron volume 12; dodecahedron volume 6, octahedron volume 4, the regular tetrahedron with a volume of 1 and a smaller octahedron in the very center with a volume of .5 or one-half of the regular tetrahedron. The octahedron of four tetrahedrons and the octahedron of .5 tetrahedrons is another instance of scale change. These polyhedrons form a family-of-relationships united by a common edge length and this system is inter-transformable. It inculcates a cube-octahedron phase and a duo-tetrahedron phase and these two phases can cycle back and forth freely. This is the 'miracle of space' that Fuller, and of course many others, only led us… discover for ourselves!