Conan Chadbourne

San Antonio, TX
My work is motivated by a fascination with the occurrence of mathematical and scientific imagery in traditional art forms, and the frequently mystical or cosmological significance that can be attributed to such imagery. Mathematical themes both subtle and overt appear in a broad range of traditional art, from Medieval illuminated manuscripts to Buddhist mandalas, intricate tilings in Islamic architecture to restrained temple geometry paintings in Japan, complex patterns in African textiles to geometric ornament in archaic Greek ceramics. Often this imagery is deeply connected with how these cultures interpret and relate to the cosmos, in much the same way that modern scientific diagrams express a scientific worldview.
Intrinsic Transformation III
24" x 24"
archival inkjet print
2014
This work is part of a series of visual meditations on the structure of the alternating group on 5 elements, also known as the icosahedral group. This image explores the structure of the icosahedral group through a particular presentation by two generators. The group's elements, which appear as yellow disks in this image, are arranged at the vertices of a rhombicosidodecahedron, shown here in stereographic projection, while the group's generators, of orders 3 and 5, correspond to the regions between the disks, colored green and blue, respectively. The image is composed of multiple hand-drawn images which are digitally composited and output as a archival digital print.
Intrinsic Transformation IV
24" x 24"
archival inkjet print
2014
This image uses a presentation of the icosahedral group by three generators, of orders 2, 3, and 5 (shown in orange, green, and blue, respectively). The group's elements, represented as yellow disks, are arranged at the vertices of a snub dodecahedron, shown in stereographic projection.