Marcel Tünnissen

Statement

Lately I started building models of polychora. By using transparent material I try to show all faces. This is different from what I have seen before and it comes with some new challenges. First of all the inside of a model, with all the imperfections, can be seen. The tabs to glue the faces together can now be seen and they need to be as small as possible, as a result however the relative errors become bigger. Several layers of cells will lead to the fact that outer layers won't fit anymore. This requires much more craftmanship than building polyhedra. Using transparent colours influences how faces in lower layers are experienced. If you use layers of analogous colours, it is hard to distinguish them, if you use layers of complementary colours, lower layers will loose their effect. One has to balance the colours carefully. Sometimes one has to break a mathematically correct colouring scheme to get a far more aesthetic result.

Artworks

This is a model of the (4 dimensional) uniform polychoron called rectified 24-cell. It consists of 24 cubes and 24 cuboctahedra. All cubes are transparent and 8 are light pink, 8 light yellow and 8 colourless. Bright white light is needed to be able to distinguish these colours. The cubes on the inside are a bit darker. The colours pink, blue and green are evenly divided over the triangles. The colouring scheme of both the cubes and the triangles is such that a rotation around a symmetry axis transforms one set of colours into another. For the triangles this symmetry is partly broken by using transparent material for the triangles on the outside, while all the others are opaque. This makes the model visibly more attractive.