Jonathan Thompson

Statement

I first came across fractals when I was researching artists for a curating assignment in one of my graduate courses at Towson University. During my research, I found several artists who used fractal-generating software such as Incendia to generate three-dimensional models. Fractals can exist as rendered images, 3d objects, musical scores, and generally cannot be represented by classical geometry. I began to see potential for integrating these fractals into my design practice. I explored various fractal programs for over three months before integrating elements of this fractal geometry into my artwork. Then I began adding these interesting, yet, complex features and forms to my work, expanding the visual language within my designs.

Artworks

The source of my inspiration stems from fractals and the book "Symmetry and Chaos" by M. Field & M. Golubitsky. I used a program called Square Quilts to create a small Bitmap image from fractal equations. Then I used image-editing software to make a high quality image by adjusting its color, contrast, composition, and resolution. I also used Photoshop to apply filters and textures along with pixel replacements and color palate adjustments to create a new image. These images connect to math through the use of Fractal equations, which gives me a starting point in the process of creating each print. The final result is an entirely new image that is one of a kind. They are randomly generated and, therefore, can never be repeated.