2026 Joint Mathematics Meetings
Benjamin Trube
Artists
Benjamin Trube
Fractal Artist, Software Architect, Writer
Marion, Ohio, USA
Statement
I’m a software engineer and fractal artist working with self-developed programs. I enjoy fractals for their variety and their complexity that arises from simplicity. My process is both playful and iterative; I will often generate dozens of images before settling on a favorite. I’ve created artwork using the Abelian Sandpile, L-Systems, and complex fractals like the Julia set. For this work I wanted to add the constraint of drawing with only black and white. I used flexible Truchet tiles to convey the underlying nature of the Julia set and to produce something unique and beautiful.
Artworks

In Light Shadow, In Shadow Light
50.0 x 50.0 cm
Digital Artwork
2025
This piece uses flexible Truchet tiles first described by Bosch and Colley. I loosened their original constraints to allow the tile to flex to its extremes. The degree of flexing is determined using the Julia set described by Z_(n+1)=Z_n^2+c with c=0.32+0.043i. In the top-left and bottom-right quadrants, bound points are colored black, and the black area of the tile flexes based on how fast a point escapes the bound. The top-right and bottom-left quadrants invert the colors. Tile orientation is determined by applying a modulus of 4 to the iterations it took to escape the bound. This creates orbits around the outside of the set. My goal was to apply a color constraint and a simple tile yet still draw out key properties of the Julia set.

Quartic “Watercolor” Julia
50.0 x 50.0 cm
Digital Artwork
2025
This piece uses flexible Truchet tiles first described by Bosch and Colley. I loosened their original constraints to allow the tile to flex to its extremes and chose to use only Truchet’s B and D tiles (randomly selected for each point). The degree of flexing is determined using the Julia set described by Z_(n+1)=Z_n^4+c with c=-0.794375+0.056875i. The black area of the tile flexes based on how fast a point escapes the bound, with bound points colored white for contrast. The random tiles form a pattern that looks to me like watercolor paper or a pencil etching. For this piece I wanted to create something where the beauty of the Julia set could be appreciated at distance, and the tile detailing could be enjoyed up close.