I am committed to the creation that integrates technology and art, aiming to break down the barriers between art and technology and explore the infinite possibilities brought about by their combination. The purpose of my creation is to stimulate the audience's perception of the beauty of the integration of technology and art and trigger their thinking about the relationship between technology and art. When appreciating my works, I hope that the audience can break away from their traditional understanding of art and feel the innovation and transformation that technology brings to art. I also draw inspiration from life, culture, and history, integrating diverse elements into my works.
Artworks
Fractal Shanshui: Autumn in the Mandelbrot Valley
40.0 x 60.0 cm
PhotoPaper
2025
This artwork reimagines the Mandelbrot set's boundary ($z_{n+1} = z_n^2 + c$) as an autumnal landscape inspired by Eastern Shanshui painting. The translucent waves visually represent continuous potential fields and escape-time gradients outside the set. Dark rocky regions symbolize bounded orbits where '$c$' values do not escape to infinity. Emerging from these stable forms are vibrant orange "trees" that embody the self-similar dendritic structures and infinite bifurcations of the fractal's boundary. By mapping complex dynamics onto an organic ecosystem, the piece transforms cold equations into a living landscape where chaos and order intertwine.
At dawn: A M-Bulb Landscape
40.0 x 40.0 cm
PhotoPaper
2025
This artwork explores the intersection of mathematical determinism and biological morphology via the 3D Mandelbulb (M-bulb) fractal. Extending the 2D Mandelbrot set ($z \mapsto z^n + c$) into 3D using spherical coordinates, this rendering reveals a highly porous, trabecular structure resembling bone marrow, marine sponges, or coral reefs. The smooth, ivory-like texture contrasts with infinite fractal voids, challenging the notion of fractals as purely rigid. Rendered with ray marching and distance estimators, the scene is grounded by a reflective liquid plane, adding depth and a benthic scale. It visually proves how simple iterative equations can mimic the elegant, evolved architectures of the natural world.
